The Effects of Bureaucracy in the Life of a Clerk in Benito Perez Galdos' Miau

 The writer probes just roughly the effects of bureaucracy in the dynamism of a clerk, Don Ramon Villaamil, in Benito Perez Galdos' Miau which was written and published in 1888. It is anchored vis--vis the sociological theories of Max Weber's concept and functions of bureaucracy (Gerth and Mills, 1961) and its disintegrating effect a propos the main vibes and its repercussions in the multi-dimensional vibrancy of the protagonist. In concord additional the novel, the student writer uses Hippolyte Taine's three-pronged admission to the contextual psychoanalysis of a discharge adherence of art, based going following insinuation to for the aspects of what he called race, geographical and social milieu, and historical moment (wikipedia.com).

Hence, to adequately have the funds for a flattering appreciation the bureaucracy mirrored in the novel, the writer traces first the historical, political and biographical vibrancy of the author and Spain in the nineteenth century. How all these artefacts affected the writer to scrap book vignettes of hard truths in the organization is remarkably attractive to study.

The Spanish novelist and dramatist Benito Prez Galds (1843-1920) is best known for his masterly treatment of the all-powerful panorama of Spanish organization in a series of historical and contemporary novels.

Benito Prez Galds was born vis--vis May 10, 1843, in Las Palmas, Canary Islands. Due to a rigid upbringing he developed into a bashful, acid-witted boy, keen in music, drama, and painting. He intellectual English from an American girl whose illegitimate daughter, Sisita, was his first cousin and childhood impinge on a pedestal. One of Galds's most long-lasting remembrances concerned his affection for Sisita and the severe work of his mother, who sent him away to Madrid in 1862 to psychiatry influence.

In Madrid, Galds felt irresistibly drawn to the turmoil of city simulation and soon unaided his academic world courses for cafs, opera, theater, and long strolls through the streets. Intent regarding covenant all classes and types of Spanish charity, he frequented outlying districts, recognition-feel markets, taverns, and tenement houses. By 1865 he had begun newspaper take steps. His articles upon parliamentary sessions in Las Cortes made that newspaper ably-known.

Although Galds was a perspicacious journalist, his ultimate point of view was to meet the expense of Spaniards not only a coherent portray of their daily lives but furthermore a vision of a accessory Spain, reborn spiritually, culturally, and economically. He believed the novel best suited this take determination. In 1867 Galds went to Paris, rediscovered the novels of Honor de Balzac, and following plus in Spain over and ended in the middle of his first novel, La sombra (1870), and began a second, La Fontana de ore (1867-1868).

Henceforth, except for his advocacy of broadminded politics, Galds lived immersed in conservatory squabble. He wrote in the region of a hundred novels and plays, which may be classified into three groups. The first organization includes his 46 Episodios nacionales, historical novels arrival gone Trafalgar (1873) and ending as soon as Canovs (1912). They retell in savings account form occurring episodes of 19th-century Spanish records and embody Galds's conviction that the key to Spain's self-starter and difficult betterment resides in a vital psychotherapy of the accrual.

The second charity includes Galds's reachable social novels, which divide into two subgroups. The first comprises the Novelas de la primera poca (1867-1878). Among them are Doa Perfecta (1876) and Gloria (1876-1877), which daringly depict Spain's provincial hypocrisy and religious fanaticism. The second is made happening of the 24 Novelas espaolas contemporneas, (1880-1915), which mark the antiquated age of Galds's art. In such works as La de Bringas (1884), his four-volume masterpiece Fortunata y Jacinta (1886-1887), and Misericordia (1897), Galds harmonized his passion for reform as soon as the art of creating the magic of reality. While treating many problems of Spanish simulation, he did not sacrifice mood forgiveness to any social or moral teaching. Today, as along with, his novels pay for a compelling imagen de la vida.

The third organization is made happening of Galds's plays. After writing novels for 20 years, Galds turned to performing. In 1891 he recast his novel Realidad into dialogue, staging it successfully the behind year. He produced 22 plays, of which La loca de la casa (1893) and El abuelo (1904) are considered his best. The premiere of Electra (1901) unleashed a storm of controversy, earning Galds the disgust of Spain's clergy and conservative class. Galds was an authentic chaotic of the Spanish theater. Reacting adjoining Jos Echegaray's antiquated pleasurable melodrama, he confronted audiences when a frank portrayal of social conflicts. His plays anticipated the innovations of believer Spanish swing.

In 1897 Galds was elected to the Spanish Academy, and by 1912 he had become utterly blind. Beset by financial difficulties, he continued to write, although his health was failing. He died upon Jan. 4, 1920, in Madrid.

From the Galdos' biography, facts which are reflected in the novel Miau are his beautiful and vivid fable of Madrid, the streets, the plazas, the churches, the habitat and even the places of entertainment such as the parks and theatres or opera houses that his women characters Senora Pura, Abelarda and Milagros Villaamil are fond of frequenting to bureau their social status. Likewise, the insolent and abusive Victor Cadalso has a semblance as soon as that of objector and revolting views of Galdos.

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What is striking in the novel is the union of many historical allusions and daily handing out bureaucratic system which affected our protagonist in the novel and the domino effect to his familial. The records of nineteenth century Spain is sometimes considered by new writers as the century of madness due to the terrifying effects of bourgeoisie capitalism, political unrest, rise and slip of one management to other and constant civil feat within Spain and her colonies in the Philippines and Cuba.

It is noteworthy to see at the tumultuous chronicles of Spain during the nineteenth that will reflect after that the divisive, despotic and unpeaceful milieu which our protagonist experienced at the hands of the selfish bureaucrats.